Digital Discomfort: Read-Write-Chaos

 Date: Friday, 19 January 2024 [NEW DATE]

Time: 13:00 - 18:00 (free dinner for participants)

Location: Varia, (Gouwstraat 3, Rotterdam)

Note: this session will be held in English

Participation: is limited, to join please send an email to info@varia.zone with [ Digital Discomfort ] in the subject.

 

The Digital Discomfort Working Group proposes a one-day gathering to collectivelly engage with the questions and praxis of discomfort aesthetics as a potential form of contemporary (techno)political resistance.

As a tentative situation, we propose read-write-chaos as a method, in order to provide ourselves and others with a spacetime for attending to the emisions, erasures, receptions and recursions of a multiplicity of computationally mundane inscriptions, semiotics and poethics. Digital Discomfort can be understood in many ways (geopolitically, somatically, informatically), but on this occasion we propose to stay close to the aesthetic component of it. Or in other words: to explore discomfort as a queer aesthetics with potential of performing resistance, underwhelmedness and resilience. It is perhaps capable of adding up to what circulates as sensible matter as well as what gets to be experienced by means of friction, slowness, fun difficulty and/or surprising obliqueness in a too linear, too seamless, tending-to-flattenness digital everyday. Read-write chaotic struggle for awlessness might emerge in the midst of spreadsheets, in the making of complex diagrams, in the mess of collective text annotation or in the middle of mumbling discussions.

Cared for by Cristina Cochior, Karl Moubarak and Jara Rocha, the open-ended research on Digital Discomfort learns, dialogues, and experiments with ways to refuse compliance with what science and technology scholar and ecofeminist Donna Haraway calls the “informatics of domination,” and what could be referred to as “totalitarian innovation.” From within and beyond specific (infra)structures, CfDD’s drive is to operate as an agitator of disobedient, practice-based, para-academic research on, across, and despite the techno-colonial establishment of BigTech. CfDD undertakes mundane but attentive experiments to collectively study non-Eurocentric/white origins of computational paradigms and to propose instead trans*feminist infrastructural entanglements, anti-extractivist connecting cultures, and intersectional notions of hosting and hostility in the online structures we inhabit. With “Digital Discomfort, CfDD continue their collective study of cultures and practices of computation and invites other reflections, grammars, and actions that contribute to a plurality of inter-dependent, anti-colonial, trans*feminist, anti-ableist, and environmentally just worldmaking practices of computation.

This event will take place on location at Varia and English will be the main language of operation. To sign up, please send an email to info[at]varia.zone with [ Digital Discomfort ] in the subject header and please indicate if you have any needs to access the events that are not addressed on this page: https://varia.zone/en/pages/accessibility.html or any dietary restrictions.

Multimodal Appreciation Workshop #1

CC BY Royal Navy 2004 Submarine Escape Training

TIME: 11-12 January, 202
PLACE: Institute for European Ethnology, Möhrenstaße 40-41, 10117 Berlin

Multimodal Appreciation is a 18 month project. Its main aim is to study current ethnographic experiments with multimodal forms of description, analysis and intervention which has resulted in a proliferation of more-than-textual forms that are difficult to classify and often at odds with institutionalised modes of disciplinary knowledge production. Despite the important openings created by multimodal works, they are rarely seen as of equal value when compared to articles and monographs. The current situation is problematic but to a certain extent understandable, as peers, reviewers and supervisors are confronted with a complex conundrum: What criteria should be employed to evaluate such multimodal singularities? Our project responds to this conundrum through two experimental moments that correspond to the two challenges producing the current impasse, those of evaluation and institutionalization. The first moment is constituted by a set of documentary and immersive exercises designed to describe and compare the affordances of selected more-than-textual or multimodal research artefacts. The second moment is a set of prototyping exercises designed to produce and test a toolkit to facilitate the evaluation and institutionalization of future multimodal research.

+ info and full porgram:  https://www2.hu-berlin.de/multimodalappreciation/2023/12/29/multimodal-appreciation-workshop-1-program/

3,2,1D: Lo que debería haber tenido que pasar | A propósito de Vascular (June Crespo, 2024)

En el trabajo de June Crespo, una composición de ausencias activa una experiencia ensanchada de lo que es posible: “son llamados a actuar en el presente a través de un futuro ausente pero re-presentado que, en virtud de este llamado, puede entonces llegar a afectar el presente” . Ausencias constitutivas que en una operación compositiva se perciben como latencias e incluso potencias de un presente complejo, y de su futuro relativo. Es decir, con Crespo atendemos a un conjunto de maniobras tecnoculturales que presentan de otro modo materiales y semióticas de lo que nos sostendría. Y lo ha elaborado principalmente a base de pérdidas.

[primer párrafo del textito que escribí para el catálogo de esta expo de la maravillosa June Crespo, comisariada por Manuel Cirauqui]

Conjunto vascular (1), 2024. Foto: Erika Barahona Ede

+ info sobre la exposición de June <3 https://www.guggenheim-bilbao.eus/en/exhibitions/june-crespo-vascular

+ info sobre catálogo: https://tienda.guggenheim-bilbao.eus/es/june-crespo-vascular-catalogo