Volumetric
technologies are increasingly sought after commodities in a wide range
of contexts from entertainment to city planning to military
surveillance. Rendering a reality of their own, instead of the one's
captured, volumetric technologies reflect a nested regime of
representations, truths, and ideologies, producing an affective
computational sublime. Hidden inside glossy renders and visual effects,
these representations proliferate explicit politics, taking up space,
volume and depth, minimising difference and the modes of representation.